The Evergreen Volume 2, p 1]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p151]]> "Maya" at Yellow Nineties 2.0]]> 30 October 2017, ljk
30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p151]]> ]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p123-147]]> "Mary of the Gael" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

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EGV2o_tail_p147]]> ]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p121]]> "In Shadowland" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p121]]> ]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p113-117]]> "The Breath of the Snow" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p113
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EGV2o_tail_p117]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p107-109]]> "The Hill-Water" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p107
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EGV2o_tail_p109]]> ]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p103-106]]> "La Cité Du Bon Accord" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p103
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EGV2o_tail_p106]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p99]]> "Faith's Avatar" at Yellow Nineties 2.0]]> December 2, 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

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]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p93-98]]> "Amel and Penhor" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

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