Artist: Charles Ricketts
Engraver: Charles Ricketts]]> The Dial, Volume 3, p.27]]> "Old Kitty" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> Artist: Charles Ricketts
Engraver: Charles Ricketts]]> The Dial, Volume 5, p.4]]> "Open the Door, Posy!" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

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Engraver: Charles Ricketts]]> The Dial, Volume 5, p.22]]> "Outamaro" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> The Pageant, Vol. 1, Front Endpapers
The Pageant, Vol. 2, Front Endpapers]]> Pageant Volumes at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Pageant Digital Edition, edited by Frederick King and Lorraine Janzen Kooistra, Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2021.]]> PAG1_1bm
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]]> Headpiece by Nellie Baxter]]> Tailpiece by Nellie Baxter]]> The Evergreen Volume 4, p79-90]]> "Pourquoi des Guirlandes Vertes à Noël" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4_decorp_p79
EGV4o_baxter_head_p79
EGV4_decorp_p90
EGV4o_baxter_tail_p90]]> The Evergreen Volume 1, Spring 1895, p 144
The Evergreen Volume 2, Autumn 1895, p 152
The Evergreen Volume 3, Summer 1896, p 142
The Evergreen Volume 4, Winter 1896, p 158]]> 2 November 2017, ljk
27 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> Initial by Helen Hay]]> The Evergreen Volume 1, p 9-15 [flipbook]]]> "Proem" at Yellow Nineties 2.0]]> Sept. 29, 2015 KF
Oct. 23, 2015 KF
Oct 27, 2017, ljk
27 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV1o_decorp_p9
EGV1o_hay_init_p9]]> Artist: Charles Ricketts]]> The Dial, Volume 1, pp. 1-4]]> "Puvis de Chavannes" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> “Donald Dubh,” by Lina Marston,
Textual ornament, by Pamela Colman Smith
]]> The Green Sheaf, No. 3, p. 8]]> "Reconcilement and Donald Dubh" at Yellow Nineties 2.0]]> Mark Samuels Lasner Collection, University of Delaware Library, Museums, and Press.]]> Creative Commons Licence

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]]> Headpiece by Nellie Baxter]]> Tailpiece by John Duncan]]> The Evergreen Volume 4, p69-74]]> "Sant Efflamm and King Arthur" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence