]]> Headpiece by Effie Ramsay]]> The Evergreen Volume 4, p8-17]]> "The Biology of Winter" at Yellow Nineties 2.0]]> 13 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4o_decorp_p8
EGV4o_ramsay_head_p8]]> ]]> Headpiece by John Duncan]]> The Evergreen Volume 4, pp. 132-137]]> "The Black Month" at Yellow Nineties 2.0]]> 13 Nov 2017, ljk
3 January 2023, rb
]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4_decorp_p132
EGV4o_duncan_head_p132]]> ]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p113-117]]> "The Breath of the Snow" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p113
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EGV2o_tail_p117]]> Artist: Charles Ricketts
Engraver: Charles Ricketts]]> The Dial, Volume 5, p.16]]> "The Centaur" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> Headpiece by John Duncan]]> The Evergreen Volume 4, p127]]> "The Chiefs' Blood in Me" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4_decorp_p127
EGV4o_duncan_head_p127]]> Pamela Colman Smith, textual ornaments]]> The Green Sheaf, No. 8, pp. 5-7.]]> "The Clay Chickens" at Yellow Nineties 2.0]]> Mark Samuels Lasner Collection, University of Delaware Library, Museums, and Press]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022.]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p6-7]]> "The Table of Contents" at Yellow Nineties 2.0]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]>
]]> EGV2o_head_p6]]> The Evergreen]]> Headpiece by Annie Mackie]]> The Evergreen Volume 3, p6-7]]> "The Contents" at Yellow Nineties 2.0]]> 6 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p6
EGV3o_mackie_head_p6]]> The Evergreen: Winter issue
]]> The Evergreen is organized into different sections. The text pieces are organized into the following fours sections: I. Winter in Nature; II. Winter in Life; III. Winter in the World; and IV. Winter in the North. The Described as "Decorations," the full-page images are listed next, by title, creator, and page. Finally, under the heading "Headpieces and Tailpieces," page credits are given to Nellie Baxter, Annie Mackie, Effie Ramsay, and John Duncan for the textual ornaments.]]> Headpiece by Nellie Baxter]]> The Evergreen Volume 4, p6-7]]> "The Contents" at Yellow Nineties 2.0]]> 13 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4o_decorp_p6
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]]> Tailpiece by Unknown]]> The Evergreen Volume 1, p60-61 [flipbook]]]> "The Crows: A Child Poem" at Yellow Nineties 2.0]]> 27 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV1o_decorp_p61
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