]]> The Dial, Volume 1, pp. 27-33]]> "The Cup of Happiness" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> “The cycle of the year, or seasons, can easily be traced; but the universal spiral is indeed so vast, that mortals, seeing but a part, thought it was a straight and narrow path with a goal at the end.”
]]> Headpiece by Nellie Baxter]]> The Evergreen Volume 3, p32-35]]> "The Dance of Life" at Yellow Nineties 2.0]]> 7 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p32
EGV3o_baxter_head_p32]]> Headpiece by Nellie Baxter]]> The Evergreen Volume 4, p67-68]]> "The Dream" at Yellow Nineties 2.0]]> 13 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4o_baxter_head_p67
EGV4_decorp_p67]]> Pamela Colman Smith, ornament
]]> The Green Sheaf, vol. 5, p. 6]]> "The Fairy Dance" at Yellow Nineties 2.0]]> Mark Samuels Lasner Collection, University of Delaware Library, Museums, and Press.]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022.]]> Artist: Charles Ricketts
Engraver: Charles Ricketts]]> The Dial, Volume 5, p.11]]> "The Fate of the Cross-ways" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022.]]> Artist: Charles Ricketts]]> The Dial, Volume 1, pp. 14-18]]> "The Great Worm" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p39]]> "The Hammerer" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p39]]> The Green Sheaf, No. 3, p. 3]]> "The Harvest Home" at Yellow Nineties 2.0]]> Mark Samuels Lasner Collection, University of Delaware Library, Museums, and Press.]]> Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022.]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p107-109]]> "The Hill-Water" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]> Creative Commons Licence