Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p107-109]]> "The Hill-Water" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p107
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EGV2o_tail_p109]]> ]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p103-106]]> "La Cité Du Bon Accord" at Yellow Nineties 2.0]]> 30 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p103
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EGV2o_tail_p106]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p99]]> "Faith's Avatar" at Yellow Nineties 2.0]]> December 2, 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p99]]>
]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p93-98]]> "Amel and Penhor" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p93]]> ]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p83-88]]> "Le Dilettantisme" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p83
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EGV2o_tail_p88]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p75-75]]> "The Song of Life's Fine Flower" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p75
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EGV2o_tail_p79]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p61-71]]> "The Night-Comers" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p61]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p59]]> "November Sunshine" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p59]]>
]]> Headpiece and tailpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p43-55]]> "Cobweb Hall" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p43
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EGV2o_tail_p55]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p39]]> "The Hammerer" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p39]]>