Headpiece by John Duncan]]> Tailpiece by Marion A. Mason]]> The Evergreen Volume 3, p120-123]]> "The Kingdom of the Earth" at Yellow Nineties 2.0]]> 6 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_duncan_head_p120
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EGV3o_mason_tail_p123]]> Pamela Colman Smith, ornament]]> The Green Sheaf, No. 5, p. 10]]> "The Lament of the Lyceum Rat" at Yellow Nineties 2.0]]> Mark Samuels Lasner Collection, University of Delaware Library, Museums, and Press.]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022.]]> Initial by Helen Hay]]> Tailpiece by J. Cadenhead]]> The Evergreen Volume 1, p110-115 [flipbook]]]> "The Land of Lorne and the Satirists of Taynuilt" at Yellow Nineties 2.0]]> 27 November 2022, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV1o_decorp_p110
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EGV1o_cadenhead_tail_p115]]> Artist: William T. Horton
]]> The Savoy, Volume 2, April 1896, pp. 139-144.]]> "The Love of the Poor" at Yellow Nineties 2.0]]> 31 May 2022, ljk
4 January 2023, rb]]> Toronto Metropolitan University Library Archives & Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Savoy Digital Edition, edited by Christopher Keep and Lorraine Janzen Kooistra, Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> Headpiece by John Duncan]]> Tailpiece by John Duncan]]> The Evergreen Volume 4, p99-100]]> "The Love-Kiss of Dermid and Grannie" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4_decorp_p99
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EGV4o_duncan_tail_p100]]> Artist: Charles Ricketts
Engraver: Charles Ricketts]]> The Dial, Volume 2, p.1]]> "The Marred Face" at Yellow Nineties 2.0]]> Toronto Metropolitan University Archives & Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> Headpiece by John Duncan]]> Tailpiece by Annie Mackie]]> The Evergreen Volume 4, pp. 142-151]]> "The Megalithic Builders" at Yellow Nineties 2.0]]> 13 Nov 2017, ljk
3 January 2023, rb

]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4_decorp_p142
EGV4o_duncan_head_p142
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EGV4o_mackie_tail_p151]]> Headpiece by John Duncan]]> Tailpiece by Nellie Baxter]]> The Evergreen Volume 3, p73-85]]> "The Moral Evolution of Sex" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p73
EGV3o_duncan_head_p73
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EGV3o_baxter_tail_p85]]> Headpiece by Nellie Baxter]]> The Evergreen Volume 4, p44-47]]> "The Mother of Jesus" at Yellow Nineties 2.0]]> 13 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4_decorp_p44
EGV4o_baxter_head_p44]]> Headpiece by Nellie Baxter, Marion A. Mason, and Annie Mackie]]> The Evergreen Volume 2, p61-71]]> "The Night-Comers" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV2o_head_p61]]>