Headpiece by John Duncan]]> Tailpiece by John Duncan]]> The Evergreen Volume 3, p101-103]]> "Summer-Night Sadness" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p101
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EGV3o_duncan_tail_p103]]> Headpiece by Helen Hay]]> Tailpiece by Annie Mackie]]> The Evergreen Volume 3, p104-105]]> "A Summer Air" at Yellow Nineties 2.0]]> 6 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p104
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EGV3o_mackie_tail_p105]]> Headpiece by John Duncan]]> Tailpiece by Helen Hay]]> The Evergreen Volume 3, p109-115]]> "Vers L'Unité" [Toward Unity] at Yellow Nineties 2.0]]> 6 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p109
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EGV3o_hay_tail_p115]]> Headpiece by Helen Hay]]> The Evergreen Volume 3, p119]]> "To Robert Burns" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p119
EGV3o_hay_head_p119]]> Headpiece by John Duncan]]> Tailpiece by Marion A. Mason]]> The Evergreen Volume 3, p120-123]]> "The Kingdom of the Earth" at Yellow Nineties 2.0]]> 6 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_duncan_head_p120
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EGV3o_mason_tail_p123]]> Headpiece by Nellie Baxter]]> The Evergreen Volume 3, p124-125]]> "The Warning of Cuculain" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p124
EGV3o_baxter_head_p124]]> Headpiece by Helen Hay]]> Tailpiece by Marion A. Mason]]> The Evergreen Volume 3, p129-134]]> "Nannack" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p129
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EGV3o_mason_tail_134]]> -lyric speaker laments lover buried under the rowans
“my heart is a lonely hunter that hunts on a lonely hill”
]]> Headpiece by Marion A. Mason]]> Tailpiece by Nellie Baxter]]> The Evergreen Volume 3, p135-136]]> "Under the Rowans" at Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p135
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EGV3o_baxter_tail_p136]]> Headpiece by Marion A. Mason]]> Tailpiece by Marion A. Mason]]> The Evergreen Volume 3, p137-141]]> Yellow Nineties 2.0]]> 3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV3o_decorp_p137
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EGV3o_mason_tail_p141]]> The Evergreen: Winter issue
]]> The Evergreen is organized into different sections. The text pieces are organized into the following fours sections: I. Winter in Nature; II. Winter in Life; III. Winter in the World; and IV. Winter in the North. The Described as "Decorations," the full-page images are listed next, by title, creator, and page. Finally, under the heading "Headpieces and Tailpieces," page credits are given to Nellie Baxter, Annie Mackie, Effie Ramsay, and John Duncan for the textual ornaments.]]> Headpiece by Nellie Baxter]]> The Evergreen Volume 4, p6-7]]> "The Contents" at Yellow Nineties 2.0]]> 13 Nov 2017, ljk
3 January 2023, rb]]> Toronto Metropolitan University Library Archives and Special Collections]]>
This work is licensed under a Creative Commons Attribution 4.0 International License.]]> Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]> EGV4o_decorp_p6
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