<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/160">
    <dcterms:title><![CDATA[King Comfort]]></dcterms:title>
    <dcterms:subject><![CDATA[Rumors that the king is dead create speculation of his succession. ]]></dcterms:subject>
    <dcterms:description><![CDATA[Fairy Tale]]></dcterms:description>
    <dcterms:creator><![CDATA[Author: T. Sturge Moore<br />
Artist: Charles Ricketts]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/dial_02/page/n47/mode/2up"><em>The Dial</em>, Volume 2, p.19</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/dialv2-moore-king-comfort/">"King Comfort" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Vale]]></dcterms:publisher>
    <dcterms:date><![CDATA[1892]]></dcterms:date>
    <dcterms:created><![CDATA[November 2019 EF]]></dcterms:created>
    <dcterms:><![CDATA[9 January 2023, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Archives &amp; Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<i><a href="https://1890s.ca/dial-volumes/">Dial Digital Edition</a>,</i><span>&nbsp;edited by Lorraine Janzen Kooistra, 2018-2020.&nbsp;</span><i>Yellow Nineties 2.0,</i><span> Toronto Metropolitan University Centre for Digital Humanities, 2019.</span>]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Item in a periodical: Image, text]]></dcterms:type>
    <dcterms:identifier><![CDATA[dialv2-moore-king-comfort]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/52">
    <dcterms:title><![CDATA[La Cité Du Bon Accord]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;This article is placed in the section &#039;Autumn in the North&#039; since it has been suggested by a recent visit from its writer. The foremost geographer in Europe, M. Rectus, is also the joint-apostle with Tolstoi of the higher Anarchism. Both characteristics of his thought are thus represented in his title ; his generous hopefulness most of all.&quot;<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Essay by Elisee Reclus]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="http://ornament.library.ryerson.ca/files/show/146">Headpiece</a> and <a href="http://ornament.library.ryerson.ca/files/show/147">tailpiece</a> by Nellie Baxter, Marion A. Mason, and Annie Mackie]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/evergreennorther02gedduoft/page/102/mode/2up"><em>The Evergreen</em> Volume 2, p103-106</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/egv2_reclus_cite/">"<span>La Cité Du Bon Accord" at <em>Yellow Nineties 2.0</em></span></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Patrick Geddes &amp; Colleagues]]></dcterms:publisher>
    <dcterms:date><![CDATA[Autumn 1895]]></dcterms:date>
    <dcterms:><![CDATA[30 October 2017, ljk<br />
30 November 2022, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Library Archives and Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/evergreen-volumes/"><em>Evergreen Digital Edition</em></a>, edited by Lorraine Janzen Kooistra, 2016-2018. <em>Yellow Nineties 2.0</em>, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[French]]></dcterms:language>
    <dcterms:type><![CDATA[Image, Text]]></dcterms:type>
    <dcterms:type><![CDATA[Prose]]></dcterms:type>
    <dcterms:identifier><![CDATA[EGV2o_decorp_p103<br />
EGV2o_head_p103<br />
EGV2o_decorp_p106<br />
EGV2o_tail_p106]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/18">
    <dcterms:title><![CDATA[La Literature Nouvelle en France]]></dcterms:title>
    <dcterms:description><![CDATA[The essay, in French, analyzes three characteristics of recent literature: the bankruptcy of pseudo-science; the bankruptcy of naturalism; and the renaissance of idealism.]]></dcterms:description>
    <dcterms:creator><![CDATA[Essay by Charles Sarolea]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="http://ornament.library.ryerson.ca/files/show/57">Initial </a>by J. Cadenhead]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/evergreennorther01gedduoft/page/92/mode/2up"><em>The Evergreen</em> Volume 1, p92-97 [flipbook]</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/egv1_sarolea_nouvelle/">"La Literature Nouvelle en France" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Patrick Geddes &amp; Colleagues]]></dcterms:publisher>
    <dcterms:date><![CDATA[Spring 1895]]></dcterms:date>
    <dcterms:><![CDATA[23 Oct. 2015, KF; 30 October 2017, ljk<br />
27 November 2022, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Library Archives and Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/evergreen-volumes/"><em>Evergreen Digital Edition</em></a>, edited by Lorraine Janzen Kooistra, 2016-2018. <em>Yellow Nineties 2.0</em>, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[French]]></dcterms:language>
    <dcterms:type><![CDATA[Image, Text]]></dcterms:type>
    <dcterms:type><![CDATA[Essay]]></dcterms:type>
    <dcterms:identifier><![CDATA[EGV1_sarolea_nouvelle<br />
EGV1o_decorp_p92<br />
EGV1o_cadenhead_init_p92]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/49">
    <dcterms:title><![CDATA[Le Dilettantisme]]></dcterms:title>
    <dcterms:subject><![CDATA[Critique of contemporary French literature]]></dcterms:subject>
    <dcterms:description><![CDATA[Like a star-gazer who would tell us that astronomy is vanity, yet offers in exchange his own descriptions and fancies of the hour, so this contemporary literature of  dilettantism thinks of life as a mere phantasmagoria, pleasant to observe but vain to understand. Moreover, amid true and false, good and ill, why limit our interest by any preference? Renan was founder of the school, Jules Lemaltre and Anatole France are its leaders, Maurice Barres its exaggerator. Their qualities and defects are manifest; charm of style and fancy, wide and varied interests, subtle perceptions, refined enjoyment: but corresponding lack of interpretation and of judgment, paralysis of will, incapacity even of conceiving action. Such literature is that of overgrown children; the great masters have always reached manhood, have expressed its qualities, and hence inspire them.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Essay by Abbe Felix Klein]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="http://ornament.library.ryerson.ca/files/show/131">Headpiece</a> and <a href="http://ornament.library.ryerson.ca/files/show/132">tailpiece</a> by Nellie Baxter, Marion A. Mason, and Annie Mackie]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="http://archive.org/details/evergreennorther02gedduoft#page/82/mode/2up"><em>The Evergreen</em> Volume 2, p83-88</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/egv2_klein_dilettantisme/">"Le Dilettantisme" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Patrick Geddes &amp; Colleagues]]></dcterms:publisher>
    <dcterms:date><![CDATA[Autumn 1895]]></dcterms:date>
    <dcterms:><![CDATA[30 October 2017, ljk<br />
3 January 2023, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Library Archives and Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/evergreen-volumes/"><em>Evergreen Digital Edition</em></a>, edited by Lorraine Janzen Kooistra, 2016-2018. <em>Yellow Nineties 2.0</em>, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[French]]></dcterms:language>
    <dcterms:type><![CDATA[Image, text]]></dcterms:type>
    <dcterms:type><![CDATA[Essay]]></dcterms:type>
    <dcterms:identifier><![CDATA[EGV2o_decorp_p83<br />
EGV2o_head_p83<br />
EGV2o_decorp_p88<br />
EGV2o_tail_p88]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/9">
    <dcterms:title><![CDATA[Lengthening Days]]></dcterms:title>
    <dcterms:subject><![CDATA[Couple observing spring]]></dcterms:subject>
    <dcterms:description><![CDATA[story of couple who go to live in a log cabin in the woods to observe spring; he’s an artist, like Nature: “First of its ornaments were the tiny creeping birds….”; quotes a Gaelic song about swans singing (trans in fn); Mark’s best picture is the fp he drew in black and white for the book that he printed: a self portrait by the hearth, wife sleeping on his chest; in fall, he returns to London, and prints book, which people read with pleasure]]></dcterms:description>
    <dcterms:creator><![CDATA[Prose and<a href="http://ornament.library.ryerson.ca/files/show/26"> Initial</a> by W.G. Burn-Murdoch]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/evergreennorther01gedduoft/page/44/mode/2up"><em>The Evergreen</em> Volume 1, p 44-46 [flipbook]</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/egv1_burn_murdoch_lengthening/">"Lengthening Days" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Patrick Geddes &amp; Colleagues]]></dcterms:publisher>
    <dcterms:date><![CDATA[Spring 1895]]></dcterms:date>
    <dcterms:><![CDATA[August 6, 2014 LC<br />
20 Oct. 2015, KF<br />
27 Oct 2017, ljk<br />
27 November 2022, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Library Archives and Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/evergreen-volumes/"><em>Evergreen Digital Edition</em></a>, edited by Lorraine Janzen Kooistra, 2016-2018. <em>Yellow Nineties 2.0</em>, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:format><![CDATA[jpg]]></dcterms:format>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Image, text]]></dcterms:type>
    <dcterms:type><![CDATA[Prose]]></dcterms:type>
    <dcterms:identifier><![CDATA[EGV1_burn_murdoch_lengthening<br />
EGV1o_decorp_p44<br />
EGV1o_burn_murdoch_init_p44]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/119">
    <dcterms:title><![CDATA[Leonard Smithers Colophon and Back Cover detail]]></dcterms:title>
    <dcterms:subject><![CDATA[Publisher&#039;s Colophon <br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[The colophon is in portrait orientation, boxed in by a double-lined rectangular border. Plain banners run across the bottom and top of the image. Printed at the top is “LEONARD” [caps], and at the bottom is printed “SMITHERS” [caps]. The artwork centred in this frame depicts a man at the extreme left. He is  in profile facing to the right. He is wearing a tunic that covers his chest but leaves his arm bare. In his hand he is holding a hatchet, although you can only see the handle and the bottom edge of the blade. He is poised to swing it forward or throw it. The man has shoulder length hair. On the right side of the image stands a tall plant with flame-like leaves. In the background is a brick wall, with a wooden door on which hangs a horseshoe. An opening on the right may be a window.]]></dcterms:description>
    <dcterms:creator><![CDATA[Aubrey Beardsley]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/savoy_1896_01/page/n181/mode/2up"><em>The Savoy</em>, Volume 1, p. 172</a> <br /><a href="https://archive.org/details/savoy_1896_02/page/n219/mode/2up"><em>The Savoy</em>, Volume 2, Back Cover</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/savoy-volumes/">Savoy Volumes at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Leonard Smithers]]></dcterms:publisher>
    <dcterms:date><![CDATA[January, 1896]]></dcterms:date>
    <dcterms:created><![CDATA[23 October 2018, JC<br />
24 October 2018, ljk<br />
19 November 2019 ljk<br />
31 May 2022, ljk]]></dcterms:created>
    <dcterms:><![CDATA[4 January 2023, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Library Archives &amp; Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br /><span>This work is licensed under a&nbsp;</span><a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a><span>.</span>]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/savoy-volumes/"><em>Savoy Digital Edition</em></a><span>, edited by Christopher Keep and Lorraine Janzen Kooistra,&nbsp;</span><em>Yellow Nineties 2.0</em><span>, Toronto Metropolitan University Centre for Digital Humanities, 2019.</span>]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[colophon in a periodical]]></dcterms:type>
    <dcterms:identifier><![CDATA[SAVOYV1o_colophon_p174<br />
SAVOYV1o_backcover<br />
SAVOYV2o_backcover]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/151">
    <dcterms:title><![CDATA[Les Goncourt]]></dcterms:title>
    <dcterms:subject><![CDATA[Critical essay comparing the lack of popularity of the Goncourt brothers to their appreciation by a few and analyzing their influence on realism, the appreciation of Japanese art, and the study of women.]]></dcterms:subject>
    <dcterms:description><![CDATA[Critical Essay]]></dcterms:description>
    <dcterms:creator><![CDATA[Author: John Gray<br />
Artist: Charles Ricketts]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/dial_01/page/n27/mode/2up"><em>The Dial</em>, Volume 1, pp. 9-13</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/dialv1-gray-goncourt/">"Les Goncourt" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Charles Shannon at The Vale]]></dcterms:publisher>
    <dcterms:date><![CDATA[August, 1889]]></dcterms:date>
    <dcterms:created><![CDATA[November 2019 EF]]></dcterms:created>
    <dcterms:dateAccepted><![CDATA[January 2020 ljk]]></dcterms:dateAccepted>
    <dcterms:><![CDATA[4 January 2023, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Archives &amp; Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<i><a href="https://1890s.ca/dial-volumes/">Dial Digital Edition</a>,</i><span>&nbsp;edited by Lorraine Janzen Kooistra, 2018-2020.&nbsp;</span><i>Yellow Nineties 2.0,</i><span> Toronto Metropolitan University Centre for Digital Humanities, 2019.</span>]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Item in a periodical: Image, text]]></dcterms:type>
    <dcterms:identifier><![CDATA[dialv1o-gray-goncourt]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/7">
    <dcterms:title><![CDATA[Life and its Science]]></dcterms:title>
    <dcterms:subject><![CDATA[Organic biology]]></dcterms:subject>
    <dcterms:description><![CDATA[Biology is first and foremost the study of life, not death; “let us return to…the simple and the natural, the normal and the organic”; “experimental evolution”/”regeneration” is the “Alchemy of Life”—expands to make a social/political point by analogy; “Mystery of Masonry” = “supreme Art”]]></dcterms:description>
    <dcterms:creator><![CDATA[Essay by Patrick Geddes]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="http://ornament.library.ryerson.ca/files/show/20">Initial</a> by Unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/evergreennorther01gedduoft/page/28/mode/2up"><em>The Evergreen</em> Volume 1, p29-37 [flipbook]</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/egv1_geddes_life/">"Life and its Science" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Patrick Geddes &amp; Co]]></dcterms:publisher>
    <dcterms:date><![CDATA[Spring 1895]]></dcterms:date>
    <dcterms:><![CDATA[23 Oct. 2015, KF; 27 Oct 2017, ljk<br />
27 November 2022, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Library Archives and Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/evergreen-volumes/"><em>Evergreen Digital Edition</em></a>, edited by Lorraine Janzen Kooistra, 2016-2018. <em>Yellow Nineties 2.0</em>, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Image, Text]]></dcterms:type>
    <dcterms:type><![CDATA[Essay]]></dcterms:type>
    <dcterms:identifier><![CDATA[EGV1_geddes_life<br />
EGV1o_decorp_p29<br />
EGV1o_init_p29]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/205">
    <dcterms:title><![CDATA[Lines to the Evening Star and Rondelet]]></dcterms:title>
    <dcterms:description><![CDATA[lyric poem and rondelet]]></dcterms:description>
    <dcterms:creator><![CDATA[Ernest Radford, poems,<br />
Pamela Colman Smith, ornament]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/green_sheaf_1904_10/page/n5/mode/2up"><em>The Green Sheaf</em>, No. 10, p. 6</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/GSV10-radford-evening-star/">"Lines to the Evening Star" at <em>Yellow Nineties 2.0</em></a><br /><a href="https://1890s.ca/GSV10-radford-rondelet/">"Rondelet" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Pamela Colman Smith]]></dcterms:publisher>
    <dcterms:date><![CDATA[[February] 1904]]></dcterms:date>
    <dcterms:><![CDATA[January 17 2023, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Mark Samuels Lasner Collection, University of Delaware Library, Museums, and Press]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/green-sheaf-volumes/"><i>Green Sheaf Digital Edition</i></a><span>, edited by Lorraine Janzen Kooistra.&nbsp;</span><i>Yellow Nineties 2.0</i><span>, Toronto Metropolitan University Centre for Digital Humanities, 2022.</span>]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[magazine page]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="http://ornament.library.torontomu.ca/items/show/41">
    <dcterms:title><![CDATA[Love Shall Stay]]></dcterms:title>
    <dcterms:subject><![CDATA[Death and loss and departure; “But I’ll make a summer within my heart, /And Love, sweet Love, shall stay!”]]></dcterms:subject>
    <dcterms:description><![CDATA[4 lyric quatrains: ababdeath and loss and departure, “But I’ll make a summer within my heart, /And Love, sweet Love, shall stay!”]]></dcterms:description>
    <dcterms:creator><![CDATA[Poem by Margaret Armour]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="http://ornament.library.ryerson.ca/files/show/109">Headpiece</a> by Nellie Baxter, Marion A. Mason, and Annie Mackie]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="http://archive.org/details/evergreennorther02gedduoft#page/20/mode/2up"><em>The Evergreen</em> Volume 2, p21</a>]]></dcterms:source>
    <dcterms:source><![CDATA[<a href="https://1890s.ca/egv2_armour_love/">"Love Shall Stay" at <em>Yellow Nineties 2.0</em></a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Patrick Geddes &amp; Colleagues]]></dcterms:publisher>
    <dcterms:date><![CDATA[Autumn 1895]]></dcterms:date>
    <dcterms:><![CDATA[15 Nov. 2016, KF; 30 October 2017, ljk<br />
3 January 2023, rb]]></dcterms:>
    <dcterms:rights><![CDATA[Public Domain<br />
Toronto Metropolitan University Library Archives and Special Collections]]></dcterms:rights>
    <dcterms:license><![CDATA[<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.]]></dcterms:license>
    <dcterms:relation><![CDATA[<a href="https://1890s.ca/evergreen-volumes/"><em>Evergreen Digital Edition</em></a>, edited by Lorraine Janzen Kooistra, 2016-2018. <em>Yellow Nineties 2.0</em>, Toronto Metropolitan University Centre for Digital Humanities, 2019.]]></dcterms:relation>
    <dcterms:conformsTo><![CDATA[Dublin Core Metadata]]></dcterms:conformsTo>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Image, Text]]></dcterms:type>
    <dcterms:type><![CDATA[Poem]]></dcterms:type>
    <dcterms:identifier><![CDATA[EGV2o_decorp_p21<br />
EGV2o_head_p21]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
