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                    <text>&lt;a href="https://archive.org/details/dial_01/page/n19/mode/2up"&gt;&lt;em&gt;The Dial&lt;/em&gt;, Volume 1, p. 5&lt;/a&gt;</text>
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                    <text>&lt;i&gt;&lt;a href="https://1890s.ca/dial-volumes/"&gt;Dial Digital Edition&lt;/a&gt;,&lt;/i&gt;&lt;span&gt;&amp;nbsp;edited by Lorraine Janzen Kooistra, 2018-2020.&amp;nbsp;&lt;/span&gt;&lt;i&gt;Yellow Nineties 2.0,&lt;/i&gt;&lt;span&gt; Toronto Metropolitan University Centre for Digital Humanities, 2019.&lt;/span&gt;</text>
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                <text>Bishop Hilarion visits Batlida in her hut, accompanied by her son Felix, a priest, on their way to the Seven Isles to baptize those living there. Batilda bakes cakes to honour the visit. The Bishop blesses and teaches the community before departing. </text>
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                <text>&lt;a href="https://archive.org/details/dial_01/page/n19/mode/2up"&gt;&lt;em&gt;The Dial&lt;/em&gt;, Volume 1, pp. 5-8&lt;/a&gt;</text>
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                    <text>The tailpiece is a boxed image in landscape orientation. It is the same length as the text and the width is about a third of that. A thin black line cuts through the image horizontally, splitting it into two equal halves. In the centre to right side of the ornament there is the silhouette of a city. On the outskirts there are shadows, or perhaps low rolling hills, which lead up to the first low buildings. The closer to the middle of the silhouette, the taller the buildings, so that near the middle of the image stands one thin building towering over the others. The city could be placed on a large hill, or it could be tiered. The rest if the image is blank apart from the signature “William T. Horton” in the bottom left corner. </text>
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                    <text>&lt;a href="https://archive.org/details/savoy_1896_04/page/n85/mode/2up"&gt;&lt;em&gt;The Savoy&lt;/em&gt;, vol. 4, August 1896, p. 86.&lt;/a&gt;&lt;br /&gt;&lt;a href="https://archive.org/details/savoy_1896_04/page/n87/mode/2up"&gt;&lt;/a&gt;</text>
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                  <text>Vol 1: January 1896&#13;
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                <text>&lt;a href="https://archive.org/details/savoy_1896_04/page/n85/mode/2up"&gt;&lt;em&gt;The Savoy&lt;/em&gt;, vol. 4, August 1896, pp. 85-86.&lt;/a&gt;</text>
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                <text>Critical essay comparing the lack of popularity of the Goncourt brothers to their appreciation by a few and analyzing their influence on realism, the appreciation of Japanese art, and the study of women.</text>
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                    <text>&lt;a href="https://archive.org/details/dial_01/page/n33/mode/2up"&gt;&lt;em&gt;The Dial&lt;/em&gt;, Volume 1, p. 14&lt;/a&gt;</text>
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                    <text>&lt;i&gt;&lt;a href="https://1890s.ca/dial-volumes/"&gt;Dial Digital Edition&lt;/a&gt;,&lt;/i&gt;&lt;span&gt;&amp;nbsp;edited by Lorraine Janzen Kooistra, 2018-2020.&amp;nbsp;&lt;/span&gt;&lt;i&gt;Yellow Nineties 2.0,&lt;/i&gt;&lt;span&gt; Toronto Metropolitan University Centre for Digital Humanities, 2019.&lt;/span&gt;</text>
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                    <text>&lt;a href="https://archive.org/details/dial_01/page/n33/mode/2up"&gt;&lt;em&gt;The Dial&lt;/em&gt;, Volume 1, p. 14&lt;/a&gt;</text>
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                    <text>&lt;a href="https://archive.org/details/dial_01/page/n41/mode/2up"&gt;&lt;em&gt;The Dial&lt;/em&gt;, Volume 1, p. 18&lt;/a&gt;</text>
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                    <text>&lt;a href="https://archive.org/details/dial_01/page/n41/mode/2up"&gt;&lt;em&gt;The Dial&lt;/em&gt;, Volume 1, p. 18&lt;/a&gt;</text>
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